A greater emphasis was placed on group improvisation and interaction, and new harmonic experiments were attempted. He visited his brother, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. Evans then asked Philly Joe Jones, the drummer he considered his "all-time favorite drummer", to fill in. [40], In September 1958, Evans recorded as a sideman in Art Farmer's album Modern Art, also featuring Benny Golson. Ex. Some known examples are: "Waltz for Debby", for his niece; "For Nenette", for his wife; "Letter to Evan", for his son; "NYC's No Lark", in memory of friend pianist Sonny Clark; "Re: Person I Knew", an anagram of the name of his friend and producer Orrin Keepnews; "We Will Meet Again", for his brother; "Peri's Scope", for girlfriend Peri Cousins; "One for Helen" and "Song for Helen", for manager Helen Keane; "B minor Waltz (For Ellaine)", for girlfriend Ellaine Schultz; "Laurie", for girlfriend Laurie Verchomin; "Yet Ne'er Broken", an anagram of the name of cocaine dealer Robert Kenney; "Maxine", for his stepdaughter; "Tiffany", for Joe LaBarbera's daughter; "Knit For Mary F." for fan Mary Franksen from Omaha.[78]. It’s an exceptional release with crisp well recorded sound and phenomenal channel separation. Discover releases, reviews, track listings, recommendations, and more about Chet Baker / Bill Evans - The Complete Legendary Sessions at Discogs. [28], Evans was discharged from the Army in January 1954, and entered a period of seclusion triggered by the harsh criticism he had received. [8][9] He had a brother, Harry (Harold), two years his senior, to whom he was very close. He started with one gram per weekend, but later started taking several grams daily. [10], Evans's improvisations relied heavily on motivic development, either melodically or rhythmically. He took a sabbatical year and lived with his parents, where he set up a studio, acquired a grand piano and worked on his technique, believing he lacked the natural fluency of other musicians. [36] By mid-May, Jimmy Cobb replaced Philly Joe Jones, with whom Evans had developed a close friendship. In mid-1959 Scott LaFaro, who was playing up the street from Evans, said he was interested in developing a trio. It was Evans who introduced John Coltrane to the Indian philosophy of Krishnamurti. During his three-year (1951–54) stay in the Army,[15] Evans played flute, piccolo, and piano in the Fifth U.S. Army Band at Fort Sheridan. BA1 1UA. Correspondent. [10], In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group that included Evans. Future Publishing Limited Quay House, The Ambury, Complete your Bill Evans Trio* collection. [47] The cause of death was a combination of peptic ulcer, cirrhosis, bronchial pneumonia, and untreated hepatitis. In these, only the bassist was given a written part, while the rest were left, and, according to Farmer, "took the parts at home and tried to come to terms with them". During a 1978 interview, Marian McPartland asked: At least during his late years, Evans's favorite keys to play in were A and E.[16] Evans greatly valued Bach's music, which influenced his playing style and which helped him gain good touch and finger independence. Philly Joe Jones has been cited as an especially bad influence in this aspect. Evans valued Bach's "The Well-Tempered Clavier" and his "Two- and Three-Part Inventions" as excellent practice material. In this lesson we will take a look into one of the most influential pianists in history, Bill Evans. Notice more triplets in the right hand (this time quarter- note triplets), a signature Evans rhythm. [27] During this period he began using recreational drugs, occasionally smoking marijuana. When Evans suggested he might deserve a share of the royalties, Davis offered him a check for $25. [18] Evans attended North Plainfield High School, graduating in 1946. Here we see the inner voice movement of the fifth: 5, #5, 6, b6, and 5. The rock and pop thing certainly draws a wider audience. The music of Bill Evans continues to inspire younger pianists including Fred Hersch, Bill Charlap, Lyle Mays, and Eliane Elias[75] and arguably Brad Mehldau[76] early in his career. After Morell left, Evans and Gómez recorded two duo albums, Intuition and Montreux III. Ex. [10] During this time, Helen Keane began having an important influence, as she significantly helped to maintain the progress of Evans's career despite his self-destructive lifestyle, and the two developed a strong relationship. [13] During high school, Evans came in contact with 20th-century music like Stravinsky's Petrushka, which he called a "tremendous experience", and Milhaud's Suite provençale, whose bitonal language he believed "opened him to new things." His use of intervallic minor thirds ascending chromatically in the right hand let him play over any harmonic movement without playing the actual chord changes. Finally, in late June 1961 the trio recorded two albums, Sunday at the Village Vanguard, and Waltz for Debby. Don't miss the latest deals, news, reviews, features and tutorials. Evans’ lyrical right-hand lines often ended up in the higher reaches of the keyboard as a result of the position of his left-hand voicings. Bill had this quiet fire that I loved on piano. After the Complete sessions, Scott left for a long overseas tour. Once the musicians were assembled, Davis gave brief instructions for each piece and then set about taping the sextet in studio. [48][49] Evans later showed special satisfaction with these recordings, seeing them as the culmination of the musical interplay of his trio.[33]. It makes … England and Wales company registration number 2008885. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. Both influences coalesced in Davis' conception of modal jazz offering an alternative to chord changes and major/minor key relationships, relying instead on a series of modal scales. 1. In early 1960, the trio began a tour that brought them to Boston, San Francisco (at Jazz Workshop club), and Chicago (at the Sutherland Lounge). On both sides of this generational divide, pianists who heard Bill Evans altered their own playing as a result. [66] Other characteristics include sequenciation of melodies and transforming one motive into another. 3a is a series of ii-V progressions. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. He was fascinated with Eastern religions and philosophies including Islam, Zen, and Buddhism. In what turned out to be an eleven-year stay, Gómez sparked new developments in Evans's trio conception. William John (Bill) Evans (Plainfield, New Jersey, 16 augustus 1929 – New York, 15 september 1980) was een Amerikaanse jazzpianist.. Carrière. Evans and LaFaro would achieve a high level of musical empathy. The album won a Grammy award posthumously in 1981, along with I Will Say Goodbye. [10] The disc features the first trio version of "Nardis", since Evans had recorded it with Cannonball Adderley. During the summer, the band did a three-month tour backing Billie Holiday, including East Coast appearances at Harlem's Apollo Theater and shows in Philadelphia, Baltimore, and Washington, D.C. With this group Evans's focus settled on traditional jazz standards and original compositions, with an added emphasis on interplay among band members. Musical features included added tone chords, modal inflections, unconventional substitutions, and modulations. William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly played in trios. Complete your Bill Evans - Jim Hall collection. 52. "Bach changed my hand approach to playing the piano. On May 17, the radio material would be recorded on the album Makin' Wax, the first documented evidence of Evans with Davis. [10], In 1961, Evans produced four albums in rapid succession. But the later recordings - August-September - are good too. Records. All three had won the Down Beat poll. Deze week gaan wij verder CD’s & LP’s listen. [33] The trio with LaFaro and Motian became one of the most celebrated piano trios in jazz. I used to use a lot of finger technique when I was younger, and I changed over to a weight technique. In April 1979, Evans met Canadian waitress Laurie Verchomin, with whom he had a relationship until his death. Evans was, and still is, among the most influential jazz pianists of the past sixty years. I knew there and then he wasn't going to get away. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a seminal modern jazz trio. Trio-Duo-Solo; Evans style; Tribute albums; Tribute quotes; Jazz magazine; Dutch sessions In parallel, Evans kept up his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December 1956–January 1957, and recording The Complete Tony Scott. While Davis was not very satisfied with the performance, he said that from then on, Evans was the only one to play it in the way he wanted. Evans's first long-term romance was with a black woman named Peri Cousins (for whom "Peri's Scope" was named), during the second half of the 1950s. Evans joined the group in April 1958. Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. [50] In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award. At the same time, Evans introduced Davis to European classical music. However, according to Keepnews, who was present, the pianist spontaneously started to improvise over that harmonic frame, creating the recording that would be named "Peace Piece". Style On Style: With Bill Evans By Lynn Trenning. [47] His brother Harry's suicide may have also influenced his emotional state after 1979. His harmonic approach, use of wide variety of voicings from block chords to 4th voicings, and modern way of interpreting traditional jazz repertoire makes him one of the most important jazz piano players to study. [41] During this sojourn, the always self-critical Evans suddenly felt his playing had improved. Kijk bij Nieuw Binnen voor de mooie Parel Trio '64" was the last studio album with Paul Motian who had played with Bill Evans since the "Portrait in Jazz" back 1959. Another important influence was bassist George Platt, who introduced Evans to the theory of harmony. [10][65] His melodic contours often describe arches. To practice, transpose up in half steps to the key of F. This position is often referred to as the “A-form.” Ex. In February 1958, Russell, at Miles Davis's urging, drove Evans over to the Colony Club in Brooklyn, to play with Davis' sextet. He also wrote classical settings of poems by William Blake. [42], One of the pieces to appear on the album was Leonard Bernstein's "Some Other Time". [29], In an interview given in 1964, Evans described Bud Powell as his single greatest influence. Bill Evans single-handedly changed the sound of jazz piano—literally, with his left hand! Ironically, after recording, Evans was utterly unwilling to release it, believing the trio had played badly. It's like death and transfiguration. 1a is a ii-V-I progression in the key of C. 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